PCMUSICENT News Reel

PCMUSICENT Announces Official Detroit Barbie’s Explosive New Single 'Major Influence'

info@starkcountyconnections.com (Karnchea Barchue) — Fri, 27 Jun 2025 15:07:49 GMT

This track is on fire! Features the legendary Icewear Vezzo and is produced by the iconic Helluva Made This Beat Baby!

Detroit, MI — PCMUSICENT is proud to announce the highly anticipated new single from Detroit’s own rising star Official Detroit Barbie , also known as the Turn Up Queen . Her latest track, “Major Influence” , featuring fellow Detroit heavyweight Icewear Vezzo , is set to drop at midnight on June 27, 2025 . The single is produced by the legendary Helluva , whose production credits include some of Detroit’s biggest anthems.

“Major Influence” is more than a title — it’s a declaration of impact, culture, and authenticity. Official Detroit Barbie continues to blaze her own trail, emerging as a powerful voice in hip-hop. Known for her energetic performances and raw lyricism, Detroit Barbie’s latest track fuses street credibility with undeniable star power. Teaming up with Icewear Vezzo brings a whole new level of intensity and hometown pride to the release.

This release comes at a pivotal moment in Detroit Barbie’s career as she continues to make waves not only in her city but across the nation. With production by Helluva, known for crafting anthems that shake the streets and clubs alike, “Major Influence” promises to be a summer staple.

PCMUSICENT CEO Karnchea Barchue commented:

“This record is a celebration of Detroit’s legacy and future. Official Detroit Barbie is a force — and teaming her up with Icewear Vezzo and Helluva shows exactly how serious we are about showcasing real talent and culture.”

The single will be available on all major streaming platforms starting June 27, 2025 at 12:00 AM EST . Fans and DJs can also request promo copies directly through PCMUSICENT.

About Official Detroit Barbie:
Official Detroit Barbie, the self-proclaimed Turn Up Queen, is an artist and survivor hailing from the Westside of Detroit. With powerful stories, vibrant flows, and unmatched energy, she has become a symbol of resilience and self-expression. Known for her authenticity and ability to connect with her community, she’s redefining what it means to be a female force in hip-hop.

For media inquiries, interviews, booking, or promo requests, please contact:
PCMUSICENT
�� info@pcmusicent.com
�� www.officialdetroitbarbie.com

Follow Official Detroit Barbie on Social Media:
�� Instagram: @officialdetroitbarbie
�� TikTok: @turnupqueendb

#MajorInfluence #OfficialDetroitBarbie #IcewearVezzo #PCMUSICENT #HelluvaMadeThis #DetroitMusic #NewMusic2025 #TurnUpQueen

End of Release

Complete Guide to Making Money in the Music Industry as an Independent Artist or Label

info@starkcountyconnections.com (Karnchea Barchue) — Fri, 22 Nov 2024 00:28:05 GMT

Navigating the music industry independently can be challenging, but with the right strategies, it’s possible to generate income and build a sustainable career. Here’s a guide to help you maximize your earning potential as an independent artist or label.

1. Monetizing Your Music

a. Streaming Revenue

Distribute your music on platforms that force listers to stream or download like: Tidal, Spotify, and Apple Music.
Sign up with a digital distributor like PCMUSICENT, DistroKid, TuneCore, or CD Baby.
Focus on increasing streams by promoting your music on social media and playlists.

b. Digital and Physical Sales

Sell digital downloads on Bandcamp, your website, or other platforms.
Create and sell physical copies like CDs or vinyl for fans who prefer tangible products.

c. Sync Licensing

Submit your music for sync opportunities (TV shows, movies, commercials, and video games).
Use services like Songtradr, SyncTank, or reach out to music supervisors directly.

d. YouTube Monetization

Create music videos, lyric videos, or behind-the-scenes content.
Monetize through YouTube’s Partner Program by enabling ads and leveraging fan subscriptions.

2. Merchandise

T-Shirts, Hoodies, and Hats: Use services like Printful or Teespring to start with no inventory risk.
Specialty Items: Offer signed merchandise, exclusive posters, or limited-edition vinyl.
Bundles: Package music with merchandise to increase sales value.

3. Live Performances

a. Gigs and Tours

Book performances at local venues, festivals, or private events.
Partner with booking agents or agencies for wider opportunities.

b. Livestream Concerts

Platforms like Twitch, YouTube Live, or Instagram Live allow you to perform for fans worldwide.
Charge for access or accept donations during performances.

c. House Concerts

Perform in intimate settings at fans’ homes. This builds personal connections and income.

4. Crowdfunding

Use platforms like Patreon, Kickstarter, or GoFundMe to fund albums, tours, or merchandise.
Offer exclusive rewards, such as early access to music, private livestreams, or custom songs.

5. Music Publishing and Licensing

Register your music with a Performing Rights Organization (PRO) like ASCAP, BMI, or SESAC to collect royalties from public performances.
Administer your publishing through companies like SongTrust or sign a publishing deal for additional income opportunities.

6. Build and Monetize Your Brand

a. Social Media

Grow an audience on Instagram, TikTok, YouTube, and Facebook.
Monetize through sponsored posts, partnerships, or exclusive content subscriptions.

b. Email Lists

Build an email list to directly reach your fans with updates, exclusive content, and sales.

c. Brand Partnerships

Collaborate with brands for endorsements or promotional deals that align with your image.

7. Education and Consulting

Offer lessons in songwriting, music production, or instrument mastery.
Consult for other independent artists on how to grow their careers.

8. Revenue from Licensing and Royalties

a. Mechanical Royalties

Earn from the reproduction of your music (e.g., CD, vinyl, or digital downloads).
Sign up with the Harry Fox Agency or similar organizations for collection.

b. Performance Royalties

Generated when your music is played on the radio, TV, or in public venues.
Ensure your music is registered with a PRO.

c. Print Royalties

For sheet music sales or lyric reproductions.

9. Expand Beyond Music

Podcasts: Start a music-related podcast for additional income and exposure.
YouTube Channel: Share music reviews, tips, or behind-the-scenes content.
Affiliate Marketing: Promote gear, software, or services you use.

10. Strategic Partnerships

Partner with other artists for collaborations and cross-promotion.
Build relationships with investors or managers for larger-scale opportunities.

Key Tips for Success

Stay Consistent: Continuously release new content to keep fans engaged.
Leverage Data: Use analytics from Spotify, YouTube, and social media to understand your audience.
Invest in Yourself: Allocate a budget for marketing, production, and professional development.
Diversify Income Streams: Don’t rely solely on one revenue source; combine multiple streams for stability.
Stay Legal: Protect your music with copyrights and trademarks. Properly register your work to ensure you collect all earnings.

By following these steps and staying persistent, independent artists and labels can carve out a successful niche in the music industry.

If you are not going to be signed by a label, it's worth getting your music copyrighted!

info@starkcountyconnections.com (Karnchea Barchue) — Sat, 02 Nov 2024 21:31:12 GMT

The six exclusive copyrights that drive the entire music business!

First and foremost, Copyright protection is automatic and you are automatically the copyright owner when you create and release your music. However, if you register the copyright to your music, you have additional benefits. First, it is easy to prove ownership and date of release, second, if you want to sue someone for statutory damages and attorney's fees in the U.S., you'll need to have registered your work. Otherwise, you can only sue for actual damages, which can sometimes be hard to quantify. The cost of registration is not much, under $100 per registered work.

Ultimately, it’s a cost vs benefit that only you can determine for the music you are releasing. If you believe there is value in your music, there is value in protecting it with a copyright registration.

The Two Main Types of Copyright-Protected Works

When you record a song, you may be creating two works that are protected by copyright: a musical work and a sound recording. A sound recording and the music, lyrics, words, or other content included in the recording are separate copyright-protected works. These works are subject to different rules and are commonly owned and licensed separately.

A musical work is a song’s underlying composition along with any accompanying lyrics. Musical works are usually created by a songwriter or composer.
A sound recording is a series of musical, spoken, or other sounds fixed in a recording medium, such as a CD or digital file, called a “phonorecord.” Sound recordings can be created by the recording’s performer, the producer, or others. Note that there is no public display right for sound recordings and the public performance right is limited to “digital audio transmissions,” for example, digital streaming.

For more information on these different types of work, and the royalty streams associated with them, check out our handout “ How Songwriters, Composers, and Performers Get Paid . ”

Registering Your Work

Although your work is protected by copyright from the moment it is fixed, you can register your work with the U.S. Copyright Office for additional benefits, including for U.S. works, access to federal courts in the case of infringement. Registering your work also makes a public record of your ownership. Applying for registration with the U.S. Copyright Office requires an application, a filing fee, and a copy of the work. Depending on the type of work, there are several different online application options, including the following:

Standard Application for registering an individual sound recording or musical work.
Group Registration of Unpublished Works for registering up to ten unpublished works all by the same author and the author is the claimant.
Group Registration of Works on an Album of Music for registering up to twenty musical works or twenty sound recordings if the works are created by the same author or have at least one common author, and if the claimant for each work in the group is the same. In the case of an application to register sound recordings, the applicant may also register any associated literary, pictorial, and graphic works in the album, such as cover art, liner notes, and posters.

You can reach out to our help team for assistance determining the best option for you.

In addition to registering your sound recordings and musical works with the Copyright Office, you may want to consider submitting a trademark application for your band name with the U.S. Patent and Trademark Office .

Using Someone Else’s Work

Being inspired by other works is intrinsic to the creative process. Musicians often use other works to create new compositions, public performances, and recordings. It’s important not to assume that you can freely use other works. Here are some important copyright principles to keep in mind.

Generally, to use the sound recordings or musical works of another artist, you must:

Use a work that is already in the public domain .
Get permission from the copyright holder directly, or license the work according to the terms set by the licensing contract.
Rely on a statutory limitation or exception, such as fair use or the section 115 license for musical works .

For more information, reference our handout “ Sampling, Interpolations, Beat Stores and More: An Introduction for Musicians Using Preexisting Music. ”

Remember:

There’s no hard and fast minimum amount of music you can use without getting permission when you need it.
When you plan to use someone else’s work, for example when recording a cover song, always compare all of your intended uses with the rights of the other work's rightsholder and make sure you are lawfully engaging in each use.
Trying and failing to contact the rights holder is not a substitution for permission. Copyright owners often have representatives in charge of licensing their works and certain types of uses of their works. This might be, for example, a music publisher or performing rights organization.

If Your Work Is Used Unlawfully

It is your right to pursue legal action if your work is used unlawfully, without your permission and not under a statutory exception or limitation like fair use . However, if your work is a U.S. work , you do need to register your work with the Copyright Office before bringing an infringement lawsuit in federal court. Also, if you take someone to court for using your work without your permission, and you want to try to have your attorneys’ fees covered or pursue certain other types of compensation (called statutory damages), the timing of your registration matters. See Circular 1 for more on that.

Generally, copyright lawsuits are decided in federal court. You may also choose the Copyright Claims Board (CCB), a voluntary forum within the Copyright Office to resolve copyright disputes involving damages totaling less than $30,000. It is intended to be a cost-effective and streamlined alternative to federal court. To use the CCB, you also must have filed an application to register your copyright. You can read more about the CCB here .

The Music Modernization Act

Musicians should also be aware of the Music Modernization Act. Starting on January 1, 2021, the MMA updated the way musical work rightsholders are paid royalties, including when their work is played online via interactive streaming services. To get paid by digital music providers that use the MMA’s blanket license, you will need to register your information with the Mechanical Licensing Collective ( The MLC ) via their online claiming portal . If you have a publisher or administrator, they should register for you. Please note, this is not a replacement for copyright registration. To ensure that you are due a royalty for non-digital uses of your musical works, such as for pressing vinyl records or CDs, you must be identified in the registration or other public records of the Copyright Office. You can read more about the MMA here .

FOE NIKS SETS THE TONE WITH NEW RAP SINGLE, “FROZE UP”

info@starkcountyconnections.com (Karnchea Barchue) — Sat, 01 Oct 2022 23:08:56 GMT

FOE NIKS SETS THE TONE WITH NEW RAP SINGLE , “ FROZE UP ” DISTRIBUTED BY PCMUSICENT

Ohio based artist, Foe Niks, drops new single “ Froze Up ” - for mature audiences only

Stream “Froze Up” HERE: https://open.spotify.com/album/1KcTUMQoGHQqQgupEYrSAi

Watch the Visual HERE: https://vimeo.com

Apple Music | Spotify

Website | Facebook | Youtube

( Massillon, OH - September 7, 2022 ) The Ohio rap scene is budding. Artists like Foe Niks are at

the helm, working to deliver an experience and set the pace for what’s to come with their trajectory.

Guarded behind cartoon graphics and dark imagery is Foe Niks, aka Foe Niks 400, by way of

Canton, OH. He dropped “ Froze Up ” including a visual to establish his presence. He’s not to be

taken for granted.

Earlier this year, he was taken under the wing of Dat Boy Kahn who began his career in the music

industry as a marketing and promotions intern with Wreckshopp/Priority Recordings, LLC. Kahn saw

something in Foe Niks that the young rapper is grateful for. “[I want people to know] that I speak from

the heart,” Foe says.

“ Froze Up ” is a fast lane rap single with bars, a catchy hook, and some tuned melodies to set Foe

Niks apart from his competition. He practiced the hook for a few weeks until he had it locked in, then

freestyle the verse to complete the parts. The track is produced by Karnchea Barchue and mixed By

Frank Stewart.

For listeners of YG, Doe Boy, Meek Mil, Lil Baby, DaBaby, OT Genasis, Rap, Hip-Hop, Gangster

Rap, and all subgenres.

ABOUT FOE NIKS

Foe Niks or Foe Niks 400 is an up-and-coming rap artist from Massillon, by way of Canton, OH.

He has no major features, and has never performed with any major artists but set the city

ablaze with his hit single "Froze Up". Now that momentum has picked up, Foe Niks is not letting

up: signing with PCMUSICENT and releasing his single "Ghost Gun" on all platforms. With his

much-anticipated EP, "The Freshman Year" set to be released in late 2022, this artist is taking

over the game.

Inquiries/Contact for Booking:

(330) 828-6267

info@pcmusicent.com

139 1st St NE Ste. P

Massillon, OH 44646

Apple Music | Spotify

Website | Facebook | Youtube

The difference between a Pro and a Publishing Administrator

info@starkcountyconnections.com (Karnchea Barchue) — Sun, 29 May 2022 14:21:33 GMT

One of the most common misunderstandings in the music business is the notion that being affiliated with a performing rights organization (PRO) such as BMI or ASCAP means you don’t need a publishing administrator .

That couldn’t be further from the truth; the reality is that these are separate entities performing different tasks with a mutual goal of making sure songwriters are paid. Both play an integral role in the career of a songwriter.

Before we go any further, we should address that a PRO such as ASCAP and BMI is a collection society. Collection societies are broken up into three categories:

Performing Rights Organization (PRO)
Collective Management Organization (CMO)
Mechanical Rights Organization (MRO)

It is important to note that publishing income is varied with multiple royalty streams and that a PRO operates in the business of collecting performance royalties exclusively. An MRO collects mechanical royalties and a CMO collects both performance and mechanical royalties.

Collection societies perform a very important function, so much so that each territory around the world has its own. Some territories, such as France and Germany have one CMO (SACEM and GEMA respectively). Others, like the UK, have one PRO and one MRO ( PRS and MCPS respectively). Sweden has STIM, Norway has TONO, Ireland has IMRO for a full list of societies click here. The US is unlike most territories in that it has multiple PROs and multiple MROs. The PROs are ASCAP, BMI, SESAC, GMR and AllTrack and the MROs are MLC, HFA and MRI. There are literally hundreds of organizations responsible for collecting your royalties!

A publishing administrator also works in tandem with your local society to maximize performance royalties globally, as well as collecting all the additional revenue sources such as mechanical royalties.

PCMUSICENT Publishing is a member of all of these societies worldwide. We take your songs and register these copyrights directly with all the significant PROs, CMOs and MROs around the world to make sure the money derived from the use of your songs makes its way to your pocket as soon as possible.

Let’s say you’re locally affiliated with BMI and have a song with radio airplay in 15 territories worldwide: if you didn’t use PCMUSICENT’s publishing service, then you’d to wait for 15 different societies to collect your performance royalties, find out who you are and who your local PRO is and then pass that income to BMI. Both the overseas PROs and BMI will take a cut of those royalties.

What if that same song has one million streams on Spotify across 30 different territories?

That publishing income comes through in the form of micropayments from multiple countries with different rules, regulations and payment schedules. Waiting for that money to find its way to you is a lengthy and cumbersome process full of nooks and crannies, wherein those royalties can easily go missing.

In fact, without a publishing administrator it can take anywhere from 18 months to multiple years, depending on the territory, for these royalties to find their way to you if at all! Furthermore, without a publishing administrator, US writers specifically are missing out on up to 51% of their publishing income as, without publishing administration, you cannot collect US mechanical royalties.

A publishing administrator like PCMUSICENT will register and track songs and collect income for those songs direct at source from hundreds of societies around the world. This ensures the money derived from the use of your songs makes its way to your pocket as soon as possible. Make sure you collect what’s yours!

What is music metadata?

info@starkcountyconnections.com (Karnchea Barchue) — Fri, 01 Apr 2022 14:29:37 GMT

Music metadata is the information included in audio files used to identify, label and present audio content.

Metadata is used by every major device and music streaming application including smartphones, Spotify, Apple Music, YouTube and all other major online music services.

Metadata includes information like artist, genre, label, song titles, album name and track numbers.

Metadata began as basic info encoded directly into the files on a CD. Today it refers to any information that needs to accompany a music file on streaming services or digital stores.

Streaming platforms rely on metadata. It’s more important than ever. Without metadata your tracks would have no context—just anonymous files in the sea of data online.

Think about it this way: the more detailed your metadata is, the easier it is to deliver your music to the right listeners.

Skimming over your metadata is like sending your music to the airport with no passport, no boarding pass, no money and no neck pillow. It’s not going to reach its destination without a lot of confusion and stress.

That’s why strict conventions for metadata are necessary for major streaming platforms like Spotify and Apple Music.

It’s also why metadata issues can stop your release in its tracks. If the metadata is incomplete or incorrect, it won’t make the cut for digital distribution.

How does metadata work?

Metadata used to be written into a special part of the file that didn’t contain audio. That’s how metadata on CDs and other media was originally stored.

Metadata can still be included this way. You can add it to your own files using tagging tools such as like Kid3.

It’s not a bad idea to include metadata directly in your WAVs, but streaming services almost always rely on the metadata submitted by your digital distribution to identify your music.

That’s why you have to be extra careful to get it right.

When it comes to submitting metadata for streaming services, your digital distributor will take care of sending it—if you enter it for them properly.

How to get your metadata right

Here’s a full list of the data you need to confirm before you can distribute your music successfully:

Track Title : the name of your song
Genre : the primary genre of your track
Subgenre : the secondary genre
Primary Artist : the main artist on the track. You’ll need to enter this exactly the same way for every track in the release.
Featured Artists : any other artists featured on the track. Do not write featured artists in the primary artist field—that’s what this one is for!*
Composer : The person who wrote or contributed music for the song
Publisher : The publisher representing the composer. Enter the composer name again if there is no publisher.
Producers : the producer(s) credit on the track
Additional Contributors : Anyone else that worked on that track that should be credited ISRC: The unique identifier that gives your track its own digital fingerprint. If you don’t have an ISRC for your release PCMUSICENT will provide one for free.
Explicit Content : indicates whether the track contains explicit content according PCMUSICENT’s guidelines.
Lyrics Language : the language of the sung lyrics
Lyrics publisher : The publisher representing the lyricist/lyrics contributor
Composition Owner : The owner of the composition rights
Year of Composition : The year the track was composed
Master Recording Owner : the owner of the sound recording
Year of Recording : The year the recording took place.
Release Language : The language of the release itself. Even if you are intending to distribute your release in a different country or territory the release language must be the language of the metadata you are entering.

This list might seem excessive, but it’s worth it to enter as much of it as you possibly can.

4 metadata mistakes to avoid

Metadata is how streaming services do quality control on their platforms.

That means if something isn’t quite right, your release won’t make it.

Metadata that doesn’t conform to the rules will stop your release from making its way to stores.

Here’s 4 essential steps to make sure your metadata doesn’t cause any issues with your release.

1. Triple-check your spelling and formatting

Make sure to always spell your track and artist names correctly and exactly the same way each time.

Your spelling and formatting must be consistent every when you credit an artist name, whether it’s yourself as the primary artist, or anyone else as the featured artist.

Even if you need to enter names multiple times, never abbreviate them or add extra punctuation.

If you need to enter an additional artist or contributor use the “+” icon to add an additional field to the form.

It’s important not to combine artist names, such as “Toots & The Maytals” unless you want your release to show up on an entirely separate artist profile on digital platforms.

Do not add multiple contributors as a list in a single field.

2. Enter the correct release language

The release language field indicates the language and character set of your release.

Even if the language of the lyrics is different, use this field to enter the language of the metadata you’ve been filling in.

3. Don’t try to manipulate the system

Metadata that doesn’t give meaningful information isn’t useful and doesn’t contribute positively to the quality of your release on streaming services.

Take a straightforward approach to the guidelines for metadata.

Don’t misrepresent information about your genre or subgenre for effect. This only makes listeners (and algorithms) confused!

4. Pay attention to your album artwork

Album artwork absolutely must be consistent with the metadata entered for the release. You have to give the artwork the same level attention to detail as the rest of the information about your release.

When major streaming platforms say that they don’t tolerate URLs, social media handles or excessive text in album artwork, they mean it.

Attempts to drive traffic outside of the platform bring down the overall sense of quality on streaming services—don’t bother with these kinds of tactics.

Having accurate, clear and consistent information is what will benefit your music in the long run.

Remember that these outlets pay massive fees to keep top artists in their libraries. If you want your content to be presented alongside the top names in music you must respect their rules.

Metaphysical release

Your track’s metadata is what makes it a quality product on a streaming service.

Getting it right is crucial for getting that product to audiences.

Now that you know every detail about metadata requirements, you’re ready to get started with your first release.

How to Switch to a Business Account on TIKTOK

info@starkcountyconnections.com (Karnchea Barchue) — Thu, 24 Mar 2022 17:49:47 GMT

Setting up your TikTok Business Account takes three steps:

Step 1

Get on TikTok

Download the TikTok app from the Apple App Store or Google Play store . Once the app is installed on your phone, tap to open it. Tap “Me” in the bottom menu bar, then click “Sign Up” to register with your phone number, email address or a registered social media account.

Step 2

Set up a free Business Account

Within the app, click “...” on the top right of the “Me” page, then click “Manage account” and select "Switch to Business Account." Choose the category that best fits your business to receive customized content, events, and solutions.

Step 3

Create and get discovered

You're all set! You can start posting content using TikTok's suite of creative tools, and share information about your products and services.

Which Streaming Platforms Payout the Most to Artists?

info@starkcountyconnections.com (Karnchea Barchue) — Sun, 20 Mar 2022 19:41:38 GMT

This Is What Music Streaming Services Pay Artists

All the numbers: Spotify; TikTok; YouTube; Apple Music and more.....

Summary of the outcomes:

Amazon — $0.73 per buy
Amazon Prime — $1.39 per 1000 streams
Amazon Unlimited — $10.96 per 1000 streams
Anghami — $0.79 per 1000 streams
Apple Music — $6.77 per 1000 streams
Deezer — $4.12 per 1000 streams
Google Play — $0.73 per buy
Google Play All Access — $2.22 per 1000 streams
KKBox — $4 per 1000 streams
Medianet — $1.48 per 1000 streams
Medianet Downloads — $0.70 per download
Napster — $7.88 per 1000 streams
NetEase — $0.41 per 1000 streams
Spotify — $2.29 per 1000 streams
Tidal — $6.85 per 1000 streams
TikTok — $0.97 per 1000x used
YouTube — $3.24 per 1000 views
YouTube Red — $9.90 per 1000 views

In conclusion, there is a lot of difference between the payouts of different music streaming services. Yet, every streaming service adds to the total size of the pie and so every cent adds up. Every time you publish a new song, you are add ing an additional revenue stream to the entire pie. Over time it all adds up. Even the small bits.

Signing Day Directions and Parking

info@starkcountyconnections.com (Karnchea Barchue) — Fri, 04 Mar 2022 19:51:07 GMT

The Tom Benson Hall of Fame Stadium

Facility Name: The Tom Benson Hall of Fame Stadium

Address: 2331 17th St NW, Canton, OH 44708

Check-In for Artists & Staff: 4:00 pm Est

Check-In for Guests: 4:30 pm Est

Start Time: 5 to 9:00 pm Est

Dress Code: Casual to Semi-Formal

All attendees over the age of 18 need to have a valid form of identification ( Driver's License, ID Card, or Passport ).

Request A Press Pass

info@starkcountyconnections.com (Karnchea Barchue) — Sat, 26 Feb 2022 16:30:16 GMT

Strictly Street Music Group

info@starkcountyconnections.com (Karnchea Barchue) — Sat, 26 Feb 2022 11:40:11 GMT